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  • ABOUT
    • Biography
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    • #CINEMAISOLATION
  • ARTWORK
    • Moving Image
      • Doublethink
      • Different Trains 1947
      • Paradise Lost?
      • EDIT
      • Jumpers
      • First Kiss
      • PERFORMER. AUDIENCE. FUCK OFF.
      • Run For Me
      • Walking Over Acconci
      • Make Me Yours Again
      • Walk With Nauman
      • Walking After Acconci
      • Anyone else isn’t you
      • File under Sacred Music
      • Fucked up lover
      • Damaged
      • Chain Smoker, Tap Dancer
    • Installation
      • STRANGER THAN KINDNESS
      • Somnoproxy
      • Doublethink
      • Requiem For 114 Radios
      • Bish Bosch: Ambisymphonic
      • Romeo Echo Delta
      • Kiss My Nauman
      • RADIO MANIA
      • Silent Sound
    • Live Art
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      • Re-Learning Piece
      • Silent Sound (live)
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      • The Smiths is dead
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      • Requiem For 114 Radios
      • Bish Bosch: Ambisymphonic
      • Romeo Echo Delta
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      • Words & Pictures
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Miseris Succurrere Disco
3rd March 2026
by Iain and Jane

MISERIS SUCCURRERE DISCO

We're thrilled to reveal more details of our second exhibition as inaugural Curators-in-Residence at the glorious Fitzrovia

Souvenir exhibition poster designed by Chris Bigg
23rd November 2025
by Iain and Jane

SOUVENIR AT FITZROVIA CHAPEL

We're thrilled to be the inaugural Curators-in-Residence at the glorious Fitzrovia Chapel. Details of our first exhibition

Stewart Lee recording Londonion
13th April 2025
by Iain and Jane

LONDONION WITH STEWART LEE

We're delighted to be presenting a new version of our sound piece LONDONION made with Stewart Lee

Still from Anyone else isn't you
9th October 2024
by Iain and Jane

ANYONE ELSE ISN’T YOU IN BRUSSELS

Our moving image artwork Anyone else isn't you will be on loan from the Tate Collection for

15th September 2024
by Iain and Jane

INSTALLATION IN NEW YORK

Our audio installation Requiem For 114 Radios features in 'Seeing Sound', an expansive exhibition curated by Barbara

Installation images from The Horror Show! at Somerset House.
2nd April 2023
by Iain and Jane

THE HORROR SHOW! INSTALLATION IMAGES

We've just added an archive of installation images from The Horror Show! to our website. Visit this

The Horror Show collage
3rd September 2022
by Iain and Jane

THE HORROR SHOW!

The Horror Show! A Twisted Tale of Modern Britain co-curated by Iain Forsyth & Jane Pollard is

Possédé·e·s
18th August 2020
by Iain and Jane

POSSESSED EXHIBITION AT MO.CO.

Our installation "Requiem for 114 Radios" will feature in the forthcoming exhibition "Possessed" at MO.CO.Panacée in Montpellier,

Stranger Than Kindness
4th July 2020
by Iain and Jane

STRANGER THAN KINDNESS

We are delighted to have collaborated with Nick Cave and the Royal Danish Library on two installations

The Horror Show!
28th January 2020
by Iain and Jane

The Horror Show!

UPDATE: Sadly, due to the international situation regarding COVID19, Somerset House has taken the decision to postpone

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    18th March 2026

iainandjane

HUGE congratulations to @officialjackwhite on the HUGE congratulations to @officialjackwhite on the opening of their first major art exhibition last night at @newportstreetgallery_london — particularly enjoyed the Red Tree. Exhibition is open now. Go see! 

#jackwhite 
#newportstreetgallery
Brion Gysin’s Stanley knife at the @museedartmoder Brion Gysin’s Stanley knife at the @museedartmodernedeparis 

🔪 If knives could talk… 

The “origin story”

It’s said that, in the 1950s, the artist Brion Gysin was using layers of newspapers as a mat to protect a tabletop from being scratched while he cut other papers with a razor blade.

Gysin: “… I had a number of sheets of newspaper, and I took a Stanley blade and cut through them, and little bits and pieces looked so amusing to me that I started jiggling them around as one would in a collage.” Gysin had accidentally rediscovered the cut-up method, a technique that can be traced back to at least the Dadaists of the 1920s.

Gysin then introduced his friend, the author William Burroughs to the technique at the Beat Hotel.

From briongysin.com
The Extraordinary Miss Flower is now available to The Extraordinary Miss Flower is now available to watch online - link in profile

UK & Ireland – BFI player / Prime / Apple
Australia & New Zealand – DVD or streaming
Sweden - SF Anytime
Finland / SF Anytime 
Norway / SF Anytime
Denmark / Blockbuster
We love @bethorton Amazing to have her in @broken We love @bethorton

Amazing to have her in @brokenenglish.film - and her version of Sister Morphine at our @barbicancentre UK Broken English launch was such a highlight of an incredible night.

It was a thrill to film a session together for her new album with our brilliant collaborator @joelynntw - the new album is out of this world, seriously cosmic 

WATCH Waiting on YT now 

Thanks to our saviour @zoflower 
@xo.rental @olly_stothert @__alexbarber @nicholaspeeldigital @dirtylooks_grades @clairewintercolour @partisanrecords
Congratulations @willmacwriting on your mind-bendi Congratulations @willmacwriting on your mind-bending, dream-haunting kaleidoscope of a book. A must read!! 

And thanks to @fitzroviachapel and @freyabently for hosting a great launch. 

#solacehouse #willmacclean #atlanticbooks
Ce soir, à Pau, pour la première fois! @lemelies.p Ce soir, à Pau, pour la première fois! @lemelies.pau @rockthistownpau @brokenenglish.film @mariannefaithfullofficial 

#brokenenglish 
In broken French 😂
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About

Iain Forsyth & Jane Pollard are London-based artists and filmmakers. Directors of ‘20,000 Days on Earth’.

CONTACTS
  • Manager: Josh Varney at 42
  • Gallery: Kate MacGarry
  • Commercials: Prettybird
  • Image Licensing: Artimage

iainandjane

HUGE congratulations to @officialjackwhite on the HUGE congratulations to @officialjackwhite on the opening of their first major art exhibition last night at @newportstreetgallery_london — particularly enjoyed the Red Tree. Exhibition is open now. Go see! 

#jackwhite 
#newportstreetgallery
Brion Gysin’s Stanley knife at the @museedartmoder Brion Gysin’s Stanley knife at the @museedartmodernedeparis 

🔪 If knives could talk… 

The “origin story”

It’s said that, in the 1950s, the artist Brion Gysin was using layers of newspapers as a mat to protect a tabletop from being scratched while he cut other papers with a razor blade.

Gysin: “… I had a number of sheets of newspaper, and I took a Stanley blade and cut through them, and little bits and pieces looked so amusing to me that I started jiggling them around as one would in a collage.” Gysin had accidentally rediscovered the cut-up method, a technique that can be traced back to at least the Dadaists of the 1920s.

Gysin then introduced his friend, the author William Burroughs to the technique at the Beat Hotel.

From briongysin.com
The Extraordinary Miss Flower is now available to The Extraordinary Miss Flower is now available to watch online - link in profile

UK & Ireland – BFI player / Prime / Apple
Australia & New Zealand – DVD or streaming
Sweden - SF Anytime
Finland / SF Anytime 
Norway / SF Anytime
Denmark / Blockbuster
We love @bethorton Amazing to have her in @broken We love @bethorton

Amazing to have her in @brokenenglish.film - and her version of Sister Morphine at our @barbicancentre UK Broken English launch was such a highlight of an incredible night.

It was a thrill to film a session together for her new album with our brilliant collaborator @joelynntw - the new album is out of this world, seriously cosmic 

WATCH Waiting on YT now 

Thanks to our saviour @zoflower 
@xo.rental @olly_stothert @__alexbarber @nicholaspeeldigital @dirtylooks_grades @clairewintercolour @partisanrecords
Congratulations @willmacwriting on your mind-bendi Congratulations @willmacwriting on your mind-bending, dream-haunting kaleidoscope of a book. A must read!! 

And thanks to @fitzroviachapel and @freyabently for hosting a great launch. 

#solacehouse #willmacclean #atlanticbooks
Ce soir, à Pau, pour la première fois! @lemelies.p Ce soir, à Pau, pour la première fois! @lemelies.pau @rockthistownpau @brokenenglish.film @mariannefaithfullofficial 

#brokenenglish 
In broken French 😂
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