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logo dark logo light logo
  • ABOUT
    • Biography
    • Latest News
    • Podcasts
    • Press
    • #CINEMAISOLATION
  • ARTWORK
    • Moving Image
      • Doublethink
      • Different Trains 1947
      • Paradise Lost?
      • EDIT
      • Jumpers
      • First Kiss
      • PERFORMER. AUDIENCE. FUCK OFF.
      • Run For Me
      • Walking Over Acconci
      • Make Me Yours Again
      • Walk With Nauman
      • Walking After Acconci
      • Anyone else isn’t you
      • File under Sacred Music
      • Fucked up lover
      • Damaged
      • Chain Smoker, Tap Dancer
    • Installation
      • STRANGER THAN KINDNESS
      • Somnoproxy
      • Doublethink
      • Requiem For 114 Radios
      • Bish Bosch: Ambisymphonic
      • Romeo Echo Delta
      • Kiss My Nauman
      • RADIO MANIA
      • Silent Sound
    • Live Art
      • SOON
      • Re-Learning Piece
      • Silent Sound (live)
      • A Rock ‘N’ Roll Suicide
      • The Smiths is dead
      • The World Won’t Listen
    • Everything Else
      • THE HORROR SHOW!
      • Coping Mechanisms
      • Multigraphs
      • A Long Goodnight
      • Londonion
      • PUBLICSFEAR
      • Bunny Munro Audiobook
      • The 24 seven
      • Far Gone And Out
      • Words & Pictures
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      • The Extraordinary Miss Flower
      • Deep England
      • From the Centre of the Earth
      • 20,000 Days on Earth
      • Who is Gil Scott-Heron?
    • Television
      • The Dali & The Cooper
      • Neil Gaiman’s Likely Stories
      • Murder: The Big Bang
    • Short Form
      • Paradise Lost?
      • EDIT
      • Do you love me like I love you
    • Music Videos
      • Anohni & the Johnsons
      • Ex:Re
      • Daughter
      • Nick Cave & The Bad Seeds
      • Daughter
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      • Tindersticks
      • Fanfarlo
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      • Paradise Lost?
      • EDIT
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      • First Kiss
      • PERFORMER. AUDIENCE. FUCK OFF.
      • Run For Me
      • Walking Over Acconci
      • Make Me Yours Again
      • Walk With Nauman
      • Walking After Acconci
      • Anyone else isn’t you
      • File under Sacred Music
      • Fucked up lover
      • Damaged
      • Chain Smoker, Tap Dancer
    • Installation
      • STRANGER THAN KINDNESS
      • Somnoproxy
      • Doublethink
      • Requiem For 114 Radios
      • Bish Bosch: Ambisymphonic
      • Romeo Echo Delta
      • Kiss My Nauman
      • RADIO MANIA
      • Silent Sound
    • Live Art
      • SOON
      • Re-Learning Piece
      • Silent Sound (live)
      • A Rock ‘N’ Roll Suicide
      • The Smiths is dead
      • The World Won’t Listen
    • Everything Else
      • THE HORROR SHOW!
      • Coping Mechanisms
      • Multigraphs
      • A Long Goodnight
      • Londonion
      • PUBLICSFEAR
      • Bunny Munro Audiobook
      • The 24 seven
      • Far Gone And Out
      • Words & Pictures
  • FILM & TV
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      • BROKEN ENGLISH
      • The Extraordinary Miss Flower
      • Deep England
      • From the Centre of the Earth
      • 20,000 Days on Earth
      • Who is Gil Scott-Heron?
    • Television
      • The Dali & The Cooper
      • Neil Gaiman’s Likely Stories
      • Murder: The Big Bang
    • Short Form
      • Paradise Lost?
      • EDIT
      • Do you love me like I love you
    • Music Videos
      • Anohni & the Johnsons
      • Ex:Re
      • Daughter
      • Nick Cave & The Bad Seeds
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A Long Goodnight
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Live sound performance with Dream Machine

A Long Goodnight

A Long Goodnight is the outcome of a four day residency in the Moog SoundLab at the Ace Hotel London. Iain Forsyth & Jane Pollard created this new work during their stay, resulting in a live performance on 17th August 2015 in the hotel’s live music venue, Miranda.

The project incorporates two specially commissioned short stories by Stuart Evers (author of Your Father Sends His Love), read by Enzo Cilenti and Kate Ashfield. Using the vintage Moog equipment in the SoundLab, Forsyth & Pollard created an electronic ‘score’ for the piece.

The work was made and designed to be experienced under the influence of Brion Gysin’s Dream Machine, a device described as “the only work of art you see with your eyes closed”. When the Dream Machine was turned on the audience were encouraged to sit close and view it with their eyes closed. The pulsating light alters the brain’s electrical oscillations by stimulating the optical nerve. The light flickers at a constant frequency that corresponds to alpha waves normally present in the human brain while relaxing.

A Long Goodnight was also a collaboration with Alan McQuillan of the Bloomsbury Distillery, who distilled a unique gin-based drink for the live performance. The spirit is a distillation of juniper, red chichona bark, kola nut, bitter and sweet orange peel, with vanilla and more. Half sweet seductive juniper, half bitter quinine pill. The combination of distilled and compounded botanicals produces the unusual yellow hue.

The Moog was a completely new type of instrument introduced to the world in 1964 by Dr. Robert Moog. It would go on to change the course of music history and influence decades of sound design. The SoundLab includes one of only two existing re-engineered classic 1970’s System 55 modular.

Guests attending the ACE HOTEL performance on 17th August 2015 were each given a letter of introduction and welcome by Iain Forsyth & Jane Pollard:

Year:

2005

Medium:

Live sound and spoken word performance with bespoke gin

Duration:

40 minutes

Curator:

Paul Smith for Moog Sound Lab UK

Stories:

Stuart Evers

Read by:

Enzo Cilenti and Kate Ashfield

Gin:

The Bloomsbury Distillery

Sound:

Finlay Shakespeare

Category:
Artwork Everything Else
Tags:
A Long Goodnight Bloomsbury Distillery Brion Gysin Dream Machine Enzo Cilenti Finlay Shakespeare gin hotel Kate Ashfield Moog Paul Smith sleep somnoproxy Sound Lab Stuart Evers
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About

Iain Forsyth & Jane Pollard are London-based artists and filmmakers. Directors of ‘20,000 Days on Earth’.

CONTACTS
  • Manager: Josh Varney at 42
  • Gallery: Kate MacGarry
  • Commercials: Prettybird
  • Image Licensing: Artimage

iainandjane

Brion Gysin’s Stanley knife at the @museedartmoder Brion Gysin’s Stanley knife at the @museedartmodernedeparis 

🔪 If knives could talk… 

The “origin story”

It’s said that, in the 1950s, the artist Brion Gysin was using layers of newspapers as a mat to protect a tabletop from being scratched while he cut other papers with a razor blade.

Gysin: “… I had a number of sheets of newspaper, and I took a Stanley blade and cut through them, and little bits and pieces looked so amusing to me that I started jiggling them around as one would in a collage.” Gysin had accidentally rediscovered the cut-up method, a technique that can be traced back to at least the Dadaists of the 1920s.

Gysin then introduced his friend, the author William Burroughs to the technique at the Beat Hotel.

From briongysin.com
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