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  • ABOUT
    • Biography
    • Latest News
    • Podcasts
    • Press
    • #CINEMAISOLATION
  • ARTWORK
    • Moving Image
      • Doublethink
      • Different Trains 1947
      • Paradise Lost?
      • EDIT
      • Jumpers
      • First Kiss
      • PERFORMER. AUDIENCE. FUCK OFF.
      • Run For Me
      • Walking Over Acconci
      • Make Me Yours Again
      • Walk With Nauman
      • Walking After Acconci
      • Anyone else isn’t you
      • File under Sacred Music
      • Fucked up lover
      • Damaged
      • Chain Smoker, Tap Dancer
    • Installation
      • STRANGER THAN KINDNESS
      • Somnoproxy
      • Doublethink
      • Requiem For 114 Radios
      • Bish Bosch: Ambisymphonic
      • Romeo Echo Delta
      • Kiss My Nauman
      • RADIO MANIA
      • Silent Sound
    • Live Art
      • SOON
      • Re-Learning Piece
      • Silent Sound (live)
      • A Rock ‘N’ Roll Suicide
      • The Smiths is dead
      • The World Won’t Listen
    • Everything Else
      • THE HORROR SHOW!
      • Coping Mechanisms
      • Multigraphs
      • A Long Goodnight
      • Londonion
      • PUBLICSFEAR
      • Bunny Munro Audiobook
      • The 24 seven
      • Far Gone And Out
      • Words & Pictures
  • FILM & TV
    • Film
      • BROKEN ENGLISH
      • The Extraordinary Miss Flower
      • Deep England
      • From the Centre of the Earth
      • 20,000 Days on Earth
      • Who is Gil Scott-Heron?
    • Television
      • The Dali & The Cooper
      • Neil Gaiman’s Likely Stories
      • Murder: The Big Bang
    • Short Form
      • Paradise Lost?
      • EDIT
      • Do you love me like I love you
    • Music Videos
      • Anohni & the Johnsons
      • Ex:Re
      • Daughter
      • Nick Cave & The Bad Seeds
      • Daughter
      • Gil Scott-Heron
      • Tindersticks
      • Fanfarlo
      • Nick Cave & The Bad Seeds
      • Live Sessions
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      • Paradise Lost?
      • EDIT
      • Jumpers
      • First Kiss
      • PERFORMER. AUDIENCE. FUCK OFF.
      • Run For Me
      • Walking Over Acconci
      • Make Me Yours Again
      • Walk With Nauman
      • Walking After Acconci
      • Anyone else isn’t you
      • File under Sacred Music
      • Fucked up lover
      • Damaged
      • Chain Smoker, Tap Dancer
    • Installation
      • STRANGER THAN KINDNESS
      • Somnoproxy
      • Doublethink
      • Requiem For 114 Radios
      • Bish Bosch: Ambisymphonic
      • Romeo Echo Delta
      • Kiss My Nauman
      • RADIO MANIA
      • Silent Sound
    • Live Art
      • SOON
      • Re-Learning Piece
      • Silent Sound (live)
      • A Rock ‘N’ Roll Suicide
      • The Smiths is dead
      • The World Won’t Listen
    • Everything Else
      • THE HORROR SHOW!
      • Coping Mechanisms
      • Multigraphs
      • A Long Goodnight
      • Londonion
      • PUBLICSFEAR
      • Bunny Munro Audiobook
      • The 24 seven
      • Far Gone And Out
      • Words & Pictures
  • FILM & TV
    • Film
      • BROKEN ENGLISH
      • The Extraordinary Miss Flower
      • Deep England
      • From the Centre of the Earth
      • 20,000 Days on Earth
      • Who is Gil Scott-Heron?
    • Television
      • The Dali & The Cooper
      • Neil Gaiman’s Likely Stories
      • Murder: The Big Bang
    • Short Form
      • Paradise Lost?
      • EDIT
      • Do you love me like I love you
    • Music Videos
      • Anohni & the Johnsons
      • Ex:Re
      • Daughter
      • Nick Cave & The Bad Seeds
      • Daughter
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      • Fanfarlo
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pafo-6
pafo-8
pafo-5
pafo-3
Performer. Audience. Fuck Off.
pafo-7
Moving image with sound

Performer. Audience. Fuck Off.

Forsyth & Pollard’s film of Performer. Audience. Fuck Off. documents a live performance work they presented at Site Gallery, Sheffield. The performance was commissioned by Rules & Regs and curated by Carol Maund. The artists elected to reinterpret a performance originally presented in 1975 by American artist Dan Graham called Performer/Audience/Mirror.

Performer. Audience. Fuck Off.
Performer. Audience. Fuck Off.

In the original, Graham faces a seated audience, with a mirror covering the wall behind him, reflecting the audience back at themselves. The performance moves through four stages. In the first, the performer look at the audience and describes himself, what he’s doing and how he’s feeling. In stage 2 he describes the audience. In stage 3 he faces the mirror and describes himself and his movements, but based only on what he sees in the mirror. In the fourth and final stage, still facing the mirror, he again describes the behaviour of the audience.

Forsyth & Pollard’s performance took on the basic structure of Graham’s, but reworked through the trappings of stand-up comedy. The resulting film captures the highly charged tension in the room and the often hilarious but occasionally uncomfortable impact the comedian has on the audience.

“The tension in the audience is tangible as they wait for each awkward moment to pass. Although this is not a conventional stand-up act, it is notable that the strategies of self-depreciating description, embarrassment, and isolating and even bullying members of an audience are all familiar. It is as though the integrity of the original performance by Graham is challenged by revealing its comic potential, while at the same time Performer, Audience, F*** Off works as a tribute. The format has a power to create a tense situation through only stating what can be observed, and this is clearly shown in this revision.” – Aesthetica Magazine

The performer, Iain Lee, is a comedian and broadcaster who rose to fame on The 11 O’clock Show on Channel 4 alongside Ricky Gervais and Sacha Baron Cohen’s Ali G character. He now presents a regular show for Talk Radio in the UK. Lee also appears as a martian in Forsyth & Pollard’s Radio Mania: An Abandoned Work (2009).

Year:

2009

Medium:

Video documentation of live performance

Featuring:

Iain Lee

Duration:

23 minutes

Support:

Rules & Regs

Category:
Artwork Moving Image
Tags:
Dan Graham Iain Lee live mirror re-enactment Sheffield Site Gallery
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About

Iain Forsyth & Jane Pollard are London-based artists and filmmakers. Directors of ‘20,000 Days on Earth’.

CONTACTS
  • Manager: Josh Varney at 42
  • Gallery: Kate MacGarry
  • Commercials: Prettybird
  • Image Licensing: Artimage

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