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  • ABOUT
    • Biography
    • Latest News
    • Podcasts
    • Press
    • #CINEMAISOLATION
  • ARTWORK
    • Moving Image
      • Doublethink
      • Different Trains 1947
      • Paradise Lost?
      • EDIT
      • Jumpers
      • First Kiss
      • PERFORMER. AUDIENCE. FUCK OFF.
      • Run For Me
      • Walking Over Acconci
      • Make Me Yours Again
      • Walk With Nauman
      • Walking After Acconci
      • Anyone else isn’t you
      • File under Sacred Music
      • Fucked up lover
      • Damaged
      • Chain Smoker, Tap Dancer
    • Installation
      • STRANGER THAN KINDNESS
      • Somnoproxy
      • Doublethink
      • Requiem For 114 Radios
      • Bish Bosch: Ambisymphonic
      • Romeo Echo Delta
      • Kiss My Nauman
      • RADIO MANIA
      • Silent Sound
    • Live Art
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      • Romeo Echo Delta
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      • Far Gone And Out
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15th January 2021
by Iain and Jane

A SONG CALLED HATE – FESTIVAL SCREENINGS

We're delighted to have executive produced A Song Called Hate, the directorial debut of Anna Hildur. The

A Song Called Hate
29th February 2020
by Iain and Jane

A SONG CALLED HATE

UPDATE: Sadly due to the international situation regarding COVID19, the 2020 CPH:DOX festival has been cancelled. We

CPH:DOX
1st March 2017
by Iain and Jane

MASTERCLASS AT CPH:DOX

On Friday 24th March we’ll be discussing our work with producer and curator Jacqui Davies. The CPH:CONFERENCE session

Edit
1st June 2014
by Iain and Jane

EDIT at Edinburgh Film Festival

EDIT is a unique collaboration between musician Joe McAlinden, artists Iain Forsyth & Jane Pollard, writer Martin

Dark Mofo
15th May 2014
by Iain and Jane

20,000 DAYS ON EARTH AT DARK MOFO

Our film 20,000 Days on Earth features as part of the film programme at the remarkable Dark

20,000 Days on Earth
1st May 2014
by Iain and Jane

20,000 Days opens Sydney Film Festival

Our film 20,000 Days on Earth will open the Sydney Film Festival this summer. The sold-out opening

20,000 Days on Earth
1st May 2014
by Iain and Jane

20,000 DAYS ON EARTH IN MOSCOW

Our film 20,000 Days on Earth will open the Beat Film Festival in Moscow. The opening night

Sundance London
1st March 2014
by Iain and Jane

PANEL DISCUSSION AT SUNDANCE LONDON

On Sunday 27th April we will be taking part in a panel discussion for Sundance London titled

New Directors/New Films
21st February 2014
by Iain and Jane

NEW DIRECTORS/NEW FILMS

Our film 20,000 Days on Earth will close the New Directors/New Films Festival in New York. The

True/False
1st February 2014
by Iain and Jane

20,000 DAYS ON EARTH AT TRUE/FALSE

Following an incredible world premiere at Sundance and european premiere at the Berlin Film Festival, our film

  • 1
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iainandjane

HUGE congratulations to @officialjackwhite on the HUGE congratulations to @officialjackwhite on the opening of their first major art exhibition last night at @newportstreetgallery_london — particularly enjoyed the Red Tree. Exhibition is open now. Go see! 

#jackwhite 
#newportstreetgallery
Brion Gysin’s Stanley knife at the @museedartmoder Brion Gysin’s Stanley knife at the @museedartmodernedeparis 

🔪 If knives could talk… 

The “origin story”

It’s said that, in the 1950s, the artist Brion Gysin was using layers of newspapers as a mat to protect a tabletop from being scratched while he cut other papers with a razor blade.

Gysin: “… I had a number of sheets of newspaper, and I took a Stanley blade and cut through them, and little bits and pieces looked so amusing to me that I started jiggling them around as one would in a collage.” Gysin had accidentally rediscovered the cut-up method, a technique that can be traced back to at least the Dadaists of the 1920s.

Gysin then introduced his friend, the author William Burroughs to the technique at the Beat Hotel.

From briongysin.com
The Extraordinary Miss Flower is now available to The Extraordinary Miss Flower is now available to watch online - link in profile

UK & Ireland – BFI player / Prime / Apple
Australia & New Zealand – DVD or streaming
Sweden - SF Anytime
Finland / SF Anytime 
Norway / SF Anytime
Denmark / Blockbuster
We love @bethorton Amazing to have her in @broken We love @bethorton

Amazing to have her in @brokenenglish.film - and her version of Sister Morphine at our @barbicancentre UK Broken English launch was such a highlight of an incredible night.

It was a thrill to film a session together for her new album with our brilliant collaborator @joelynntw - the new album is out of this world, seriously cosmic 

WATCH Waiting on YT now 

Thanks to our saviour @zoflower 
@xo.rental @olly_stothert @__alexbarber @nicholaspeeldigital @dirtylooks_grades @clairewintercolour @partisanrecords
Congratulations @willmacwriting on your mind-bendi Congratulations @willmacwriting on your mind-bending, dream-haunting kaleidoscope of a book. A must read!! 

And thanks to @fitzroviachapel and @freyabently for hosting a great launch. 

#solacehouse #willmacclean #atlanticbooks
Ce soir, à Pau, pour la première fois! @lemelies.p Ce soir, à Pau, pour la première fois! @lemelies.pau @rockthistownpau @brokenenglish.film @mariannefaithfullofficial 

#brokenenglish 
In broken French 😂
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About

Iain Forsyth & Jane Pollard are London-based artists and filmmakers. Directors of ‘20,000 Days on Earth’.

CONTACTS
  • Manager: Josh Varney at 42
  • Gallery: Kate MacGarry
  • Commercials: Prettybird
  • Image Licensing: Artimage

iainandjane

HUGE congratulations to @officialjackwhite on the HUGE congratulations to @officialjackwhite on the opening of their first major art exhibition last night at @newportstreetgallery_london — particularly enjoyed the Red Tree. Exhibition is open now. Go see! 

#jackwhite 
#newportstreetgallery
Brion Gysin’s Stanley knife at the @museedartmoder Brion Gysin’s Stanley knife at the @museedartmodernedeparis 

🔪 If knives could talk… 

The “origin story”

It’s said that, in the 1950s, the artist Brion Gysin was using layers of newspapers as a mat to protect a tabletop from being scratched while he cut other papers with a razor blade.

Gysin: “… I had a number of sheets of newspaper, and I took a Stanley blade and cut through them, and little bits and pieces looked so amusing to me that I started jiggling them around as one would in a collage.” Gysin had accidentally rediscovered the cut-up method, a technique that can be traced back to at least the Dadaists of the 1920s.

Gysin then introduced his friend, the author William Burroughs to the technique at the Beat Hotel.

From briongysin.com
The Extraordinary Miss Flower is now available to The Extraordinary Miss Flower is now available to watch online - link in profile

UK & Ireland – BFI player / Prime / Apple
Australia & New Zealand – DVD or streaming
Sweden - SF Anytime
Finland / SF Anytime 
Norway / SF Anytime
Denmark / Blockbuster
We love @bethorton Amazing to have her in @broken We love @bethorton

Amazing to have her in @brokenenglish.film - and her version of Sister Morphine at our @barbicancentre UK Broken English launch was such a highlight of an incredible night.

It was a thrill to film a session together for her new album with our brilliant collaborator @joelynntw - the new album is out of this world, seriously cosmic 

WATCH Waiting on YT now 

Thanks to our saviour @zoflower 
@xo.rental @olly_stothert @__alexbarber @nicholaspeeldigital @dirtylooks_grades @clairewintercolour @partisanrecords
Congratulations @willmacwriting on your mind-bendi Congratulations @willmacwriting on your mind-bending, dream-haunting kaleidoscope of a book. A must read!! 

And thanks to @fitzroviachapel and @freyabently for hosting a great launch. 

#solacehouse #willmacclean #atlanticbooks
Ce soir, à Pau, pour la première fois! @lemelies.p Ce soir, à Pau, pour la première fois! @lemelies.pau @rockthistownpau @brokenenglish.film @mariannefaithfullofficial 

#brokenenglish 
In broken French 😂
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