Iain Forsyth and Jane Pollard
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File under Sacred Music

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File under Sacred Music

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File under Sacred Music (This much is certain)
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File under Sacred Music
File under Sacred Music
File under Sacred Music
File under Sacred Music
File under Sacred Music
File under Sacred Music
File under Sacred Music
File under Sacred Music

Taking as its starting point Iain Forsyth and Jane Pollard's desire to duplicate and capture 'liveness', File under Sacred Music takes an infamous video documenting a live performance by The Cramps for the patients at Napa Mental Institute, California, on 13th June 1978 as the original source to remake. Captured on blurred and grainy black and white film, this unique social document has been swapping hands at record fairs and via the internet since the early eighties.

Forsyth and Pollard began by re-enacting that legendary performance in order to film it and remake the rarely seen video document.

During a six month period of preparation and research, Forsyth and Pollard set about sourcing the right people to work with. The Institue of Contemporary Arts were first to offer support - providing the ideal space to rebuild and restage the performance. Next came Shooting Live Artists, an initiative funded by Arts Council England and the BBC.

Click here to watch a 3 minute excerpt

File under Sacred Music
File under Sacred Music
File under Sacred Music
File under Sacred Music
File under Sacred Music
File under Sacred Music
File under Sacred Music
File under Sacred Music

The band came together around the core of Holly Golightly, a legendary solo artist as well as a founder member of Thee Headcoatees, as guitarist Poison Ivy. Holly was joined by Bruce Brand, a key figure in the Medway scene, as guitarist Bryan Gregory and John Gibbs from The Wildebeests and Holly's current band as drummer Nick Knox. Fronting this formidable group of musicians with his own explosive presence and mesmeric performance was Alfonso Pinto from The Parkinsons.

Alongside putting together a band, Forsyth and Pollard engaged in ongoing discussions with members of Core Arts and Mad Pride, who were invited to attend the performance and filming, which was staged on a specially constructed set in the ICA Theatre on 3rd March 2003.


The making of File under Sacred Music

The resulting footage was edited and degraded to meticulously re-create the content, spirit and damaged aesthetic of the original video tape Forsyth and Pollard had purchased on eBay.

At a time when media technology has encroached on the live event to a point where few feel live at all, this project pushes beyond any simple re-presentation of a significant cultural moment to project an alternate testament of reality that examines 'liveness' beyond the limitations of needing to 'be there'.


Shooting File under Sacred Music

File under Sacred Music marks a significant and ground-breaking development in Forsyth and Pollard's practice and addresses one of the most important questions facing all kinds of performance today: what is the status of the 'live' and the 'real' in a culture now obsessed with simulation and dominated by mass media and mediation?

Click here to watch a 3 minute excerpt


Production still of File under Sacred Music

After various rejected attempts at digital post-production, together with their editor Robin Mahoney, Forsyth and Pollard decided to explore more 'tactile' strategies for degrading the footage. Several days were spent re-filming from dusty television screens, borrowing ancient VCR machines and outputting to second-hand VHS video tapes that were then scratched and physically damaged by hand before being redigitised and compiled into a final edit.


Production still of File under Sacred Music

The Audience:

Shuntel Adams, W. Auchaybur, Alex B, Ian Ballard, Simon Ballard, Jodie Banaszkiewicz, Juliet Baptiste, Ivan Best, Tunde Busari, Big Steve, Jo Cadman, Charlie Chadwick, S. Champion, Karen Clarke, Stewart Cliff, Melanie Clifford, David Craig, Peter Cridland, Simon Crimp, Laura Cronin, Mark Davis, Gordon Dawson, Robert Dellar, Jodun Dunsheath, Steve Farrant, Paul Feely, Alfonso Martin Fernandez, Stuart Flory, Andrew Gibbs, Michael Hill, Tim Hogan, Alan Hush, Dominic Jarmain, Heather Jones, Justin Knopwood, Tony Loosley, James MacDougall, Kevin Martin, Tom McCarthy, Charlotte McLachlan, Richard Middleton, Gary Molloy, Paul Monks, Claire Morales, Gloria Nieto, Claire Norman, Mark Pickerel, Tina Pinder, Ann Pitkin, Nanci Sarrouf, C. Scanlon, Gini Simpson, Tahir Suleyman, Russell Thorpe, Victor Torpedo, Everett True, Mary Vallely, Mark Waugh, Ian White, Joe Wilson, Alison Wonderland


Production still of File under Sacred Music

The crew:

Lighting & Cameras - Stuart Roweth
Direction & Editing - Robin Mahoney
Live Sound - Charlie Poulet
Technical Manager for the ICA - Lee Curran
Associate Producer for the ICA - Vivienne Gaskin
Associate Producer for SLA - Andy Stamp
Production Assistant - Helen Dowling


Production still of File under Sacred Music

The Songs and Songwriters:

"Mystery Plane" Interior/Rorschach
© Bugle Songs Ltd
"The Way I Walk" Jack M Scott
© Starfire Music USA/Peer Music (UK) Ltd
"What's Behind The Mask" · Interior/Rorschach
© Bugle Songs Ltd
"Human Fly" Interior/Rorschach
© EMI Music Publishing Ltd
"Domino" Sam C Phillips
© Knox Music Ltd/Carlin Music Ltd
"Love Me" Marty Lott
© Universal/MCA Music Ltd
"Twist and Shout" Interior/Rorschach
© EMI Music Publishing
"TV Set" Interior/Rorschach
© Bugle Songs Ltd

All songs used with the kind permission of the publishers

Click here to watch a 3 minute excerpt


More production stills - page 1 | page 2


The band rehearsing for File under Sacred Music


The band rehearsing for File under Sacred Music

More Images - page 1 | page 2


 

 

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Click to watch

Shows including this work
List of all shows and screenings
This Much is Certain
We're coming to take you away, hurrah!
Music for People
Switch on the Power!
Artists' Films about music culture
Bootleg
VIPER Basel
Shooting Live Artists
Charade
Faraway So Close

Related essays and press
'Nests, Puke, Frames and baby Faces', Tom McCarthy
'It Beats Bingo!', The Guardian
'Rewind and repeat to fade' - Art Review
'Psychotic Reaction' - Mojo
'Spastic Fantastic' - Sleazenation
'Would a band by any other name...' - i-D Magazine

Related work
File under Sacred Music (Reverberation)
File under Sacred Music (This much is certain)

Related sites
File under Sacred Music
Shooting Live Artists

This Much is Certain catalogue
This Much is Certain catalogue

Nests, Puke, Frames and Baby Faces: "Two different events, two different event-zones, might have been taking place simultaneously, superimposed over one another in the kind of quantum-logic way the real Cramps, fans of trashy sci-fi, would have loved - but the raw power of Zone One, the Orphic gig-zone, made it impossible to remain safely enclosed within Zone Two, the conceptual art zone." More...

Art Review: "The magnitude and sensitivity of this engagement should not be underestimated. Its terms, beyond any binary, liberal accusations of exploitation, dared to embrace, more extremely than before, the tragic flaw lying between chance and action that makes Forsyth and Pollard's epic structures of re-performance such extraordinary works of art." More...

i-D magazine: "The whole project has an element of predictability that recalls the best of '60s and '70s performance art." More...

Sleazenation: "The most electrifying event the ICA has seen in years" More...

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